Итого | За последние 12 месяцев | Apr | Mar | Feb | Jan | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | |
По разделу | 14548 | 2412 | 111 | 236 | 267 | 235 | 247 | 232 | 261 | 333 | 134 | 202 | 74 | 80 | 0 | 3 | 7 | 9 | 5 | 20 | 10 | 4 | 8 | 8 | 5 | 7 | 18 | 5 | 5 | 6 | 6 | 9 | 11 | 10 | 2 | 3 | 4 | 6 | 6 | 7 | 11 | 6 | 13 | 6 | 10 | 6 | 11 | 8 | 3 | 8 | 13 | 7 | 6 | 9 | 3 | 8 | 8 | 3 | 15 | 12 | 6 | 5 | 5 | 7 | 8 | 11 | 16 | 8 | 35 | 25 | 4 | 7 | 8 | 8 | 11 | 4 |
Монтаж аттракционов | 1222 | 1222 | 0 | 213 | 260 | 178 | 202 | 146 | 110 | 47 | 35 | 31 | 0 | 0 | 0 | 2 | 7 | 6 | 4 | 20 | 4 | 2 | 8 | 8 | 5 | 7 | 18 | 5 | 5 | 2 | 6 | 9 | 11 | 10 | 2 | 2 | 3 | 5 | 5 | 5 | 11 | 6 | 13 | 6 | 10 | 6 | 11 | 8 | 3 | 8 | 13 | 7 | 6 | 9 | 3 | 7 | 8 | 3 | 15 | 12 | 6 | 2 | 5 | 7 | 8 | 11 | 16 | 8 | 35 | 25 | 4 | 7 | 8 | 5 | 6 | 4 |
Автобиографические записки | 1026 | 1026 | 0 | 35 | 32 | 38 | 91 | 168 | 200 | 320 | 45 | 97 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 3 | 1 | 4 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 1 | 3 | 2 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 |
Из дневников 1939-1941 годов | 607 | 519 | 0 | 28 | 42 | 46 | 42 | 52 | 43 | 62 | 61 | 56 | 47 | 40 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 4 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 4 | 1 | 3 | 1 | 4 | 0 | 1 | 5 | 3 | 3 | 5 | 1 | 1 | 1 | 4 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 1 |
Будущее звуковой фильмы | 423 | 423 | 0 | 63 | 107 | 53 | 63 | 27 | 30 | 23 | 57 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 10 | 10 | 3 | 1 | 2 | 4 | 1 | 2 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 2 | 1 | 6 | 1 | 0 | 1 | 1 | 2 | 3 | 7 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 4 | 2 | 2 | 1 | 2 | 2 | 5 | 31 | 21 | 4 | 3 | 1 | 7 | 1 | 2 |
Неравнодушная природа | 327 | 327 | 0 | 116 | 79 | 101 | 31 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 9 | 5 | 7 | 3 | 2 | 1 | 5 | 2 | 1 | 1 | 3 | 1 | 6 | 2 | 4 | 5 | 3 | 1 | 3 | 4 | 6 | 4 | 7 | 5 | 6 | 5 | 4 | 4 | 1 | 3 | 2 | 1 | 1 | 2 | 1 | 2 | 5 | 1 | 2 | 4 | 3 | 4 | 9 | 2 | 5 | 3 | 3 | 1 | 2 | 3 | 4 | 2 | 3 | 0 | 4 | 3 | 4 | 1 | 4 |
Бела забывает ножницы | 304 | 304 | 0 | 7 | 29 | 35 | 34 | 57 | 50 | 31 | 30 | 31 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 0 | 5 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 5 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 3 | 1 |
Вертикальный монтаж | 301 | 301 | 0 | 45 | 57 | 21 | 29 | 31 | 19 | 28 | 39 | 32 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 4 | 4 | 3 | 1 | 1 | 4 | 7 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 2 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 13 | 10 | 0 | 0 | 2 | 8 | 5 | 1 |
Монтаж | 255 | 255 | 0 | 43 | 60 | 41 | 40 | 37 | 34 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 6 | 3 | 7 | 0 | 2 | 1 | 3 | 4 | 2 | 1 | 0 | 2 | 2 | 1 | 4 | 5 | 1 | 7 | 0 | 2 | 1 | 3 | 2 | 1 | 2 | 1 | 0 | 2 | 2 | 3 | 3 | 2 | 2 | 4 | 3 | 2 | 0 | 1 |
С экрана в жизнь | 301 | 244 | 0 | 10 | 24 | 26 | 25 | 35 | 27 | 17 | 16 | 23 | 19 | 22 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 5 | 1 | 4 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 2 |
Истинные пути изобретания. "Александр Невский" | 269 | 232 | 0 | 12 | 16 | 16 | 27 | 32 | 28 | 13 | 17 | 25 | 21 | 25 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
Программа преподавания теории и практики режиссуры | 231 | 231 | 0 | 11 | 30 | 27 | 32 | 21 | 27 | 18 | 26 | 39 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 2 | 2 | 3 | 8 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 |
За кадром | 230 | 230 | 0 | 12 | 31 | 35 | 24 | 20 | 28 | 25 | 40 | 15 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 4 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 0 |
Автобиография | 274 | 224 | 0 | 42 | 28 | 20 | 9 | 17 | 15 | 16 | 17 | 22 | 19 | 19 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 4 | 2 | 4 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 4 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 2 | 1 |
Метод постановки рабочей фильмы | 281 | 222 | 0 | 15 | 31 | 22 | 18 | 24 | 24 | 13 | 16 | 22 | 19 | 18 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 4 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 |
Сергей Эйзенштейн | 281 | 221 | 0 | 13 | 16 | 20 | 19 | 12 | 12 | 15 | 28 | 25 | 28 | 33 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 4 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 |
Выступление на Всесоюзном творческом совещании работников советской кинематографии | 220 | 220 | 0 | 34 | 24 | 32 | 17 | 16 | 19 | 23 | 23 | 32 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 6 | 1 | 2 | 0 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 2 | 2 | 3 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 |
Библиография работ С. М. Эйзенштейна, опубликованных на русском языке | 251 | 219 | 0 | 24 | 15 | 15 | 20 | 24 | 28 | 27 | 20 | 20 | 14 | 12 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 4 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
"Одолжайтесь!" | 219 | 219 | 0 | 18 | 24 | 20 | 17 | 24 | 26 | 20 | 30 | 40 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 4 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 |
Как я стал режиссером | 264 | 217 | 0 | 27 | 15 | 27 | 16 | 15 | 16 | 14 | 23 | 27 | 17 | 20 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | Jan | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | |
Перспективы | 214 | 214 | 0 | 11 | 19 | 28 | 24 | 18 | 18 | 14 | 34 | 48 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
Четвертое измерение в кино | 211 | 211 | 0 | 18 | 26 | 18 | 24 | 21 | 22 | 24 | 16 | 42 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 3 | 2 | 1 | 7 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 |
"Александр Невский" | 246 | 204 | 0 | 17 | 23 | 20 | 14 | 21 | 19 | 14 | 15 | 24 | 18 | 19 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 1 | 0 |
"Иван Грозный" | 225 | 201 | 0 | 14 | 17 | 16 | 20 | 23 | 28 | 14 | 18 | 20 | 11 | 20 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 |
"Э!". О чистоте киноязыка | 198 | 198 | 0 | 16 | 22 | 20 | 22 | 24 | 21 | 22 | 25 | 26 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 |
Пушкин и кино | 198 | 198 | 0 | 9 | 26 | 15 | 23 | 29 | 21 | 18 | 57 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 3 | 2 | 2 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 |
Принципы нового русского фильма | 220 | 195 | 0 | 11 | 17 | 17 | 19 | 16 | 25 | 16 | 20 | 20 | 17 | 17 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
Через революцию к искусству - через искусство к революции | 236 | 188 | 0 | 10 | 22 | 20 | 15 | 15 | 21 | 16 | 17 | 23 | 15 | 14 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 |
В боях за "Октябрь" | 232 | 185 | 0 | 10 | 15 | 24 | 16 | 18 | 14 | 12 | 13 | 28 | 14 | 21 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 |
О форме сценария | 185 | 185 | 0 | 16 | 34 | 31 | 23 | 14 | 16 | 12 | 30 | 9 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 4 | 1 | 1 | 3 | 0 | 2 | 0 | 4 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 2 |
К вопросу о материалистическом подходе к форме | 230 | 185 | 0 | 15 | 22 | 20 | 16 | 17 | 18 | 14 | 19 | 18 | 13 | 13 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 |
Эксперимент, понятный миллионам | 238 | 182 | 0 | 21 | 16 | 21 | 16 | 17 | 18 | 10 | 15 | 21 | 13 | 14 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 |
Выступление С. М. Эйзенштейна на обеде, данном в его честь Академией кинонауки и искусства в Голливуде | 213 | 180 | 0 | 11 | 16 | 17 | 14 | 13 | 20 | 14 | 17 | 21 | 16 | 21 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
Несколько слов о моих рисунках | 210 | 179 | 0 | 10 | 12 | 16 | 15 | 17 | 17 | 8 | 23 | 21 | 17 | 23 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
Динамический квадрат | 178 | 178 | 0 | 10 | 13 | 10 | 26 | 22 | 21 | 22 | 54 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
"Двенадцать апостолов" | 233 | 176 | 0 | 12 | 23 | 18 | 17 | 12 | 17 | 15 | 14 | 17 | 15 | 16 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 |
Патриотизм - моя тема | 224 | 176 | 0 | 14 | 17 | 11 | 21 | 17 | 13 | 11 | 16 | 20 | 19 | 17 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Моя первая фильма | 223 | 174 | 0 | 16 | 15 | 16 | 10 | 13 | 18 | 12 | 24 | 19 | 11 | 20 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 |
С. Эйзенштейн о С. Эйзенштейне, режиссере кинофильма "Броненосец "Потемкин" | 196 | 169 | 0 | 15 | 16 | 16 | 18 | 12 | 13 | 10 | 16 | 21 | 12 | 20 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Фильм о Ферганском канале | 191 | 166 | 0 | 14 | 17 | 10 | 16 | 15 | 19 | 12 | 18 | 20 | 13 | 12 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | Jan | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | |
Монтаж 1938 | 165 | 165 | 0 | 14 | 20 | 17 | 18 | 11 | 16 | 13 | 26 | 30 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 5 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 |
Москва во времени | 209 | 163 | 0 | 14 | 14 | 13 | 19 | 12 | 15 | 12 | 19 | 16 | 15 | 14 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
"День мертвых" в Мексике | 212 | 160 | 0 | 13 | 9 | 13 | 14 | 15 | 17 | 14 | 15 | 21 | 16 | 13 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Из истории создания фильма "Александр Невский" | 206 | 160 | 0 | 9 | 12 | 18 | 23 | 11 | 20 | 9 | 16 | 16 | 11 | 15 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
Интернациональный театр | 213 | 159 | 0 | 12 | 15 | 15 | 12 | 10 | 13 | 12 | 18 | 23 | 16 | 13 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 |
Восторженные будни | 209 | 157 | 0 | 10 | 16 | 14 | 14 | 18 | 15 | 12 | 19 | 15 | 11 | 13 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
Крупнейший государственный деятель | 186 | 157 | 0 | 11 | 12 | 14 | 13 | 15 | 15 | 14 | 13 | 17 | 15 | 18 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
От автора | 150 | 150 | 0 | 5 | 17 | 14 | 12 | 11 | 15 | 10 | 20 | 46 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
Волки и овцы | 150 | 150 | 0 | 11 | 17 | 15 | 10 | 13 | 14 | 13 | 57 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
Два черепа Александра Македонского | 149 | 149 | 0 | 13 | 19 | 12 | 15 | 12 | 20 | 13 | 25 | 20 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 6 | 0 | 1 | 0 |
Перед съемками картины о Фрунзе | 170 | 142 | 0 | 10 | 12 | 12 | 14 | 12 | 18 | 10 | 15 | 16 | 10 | 13 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Фильмография | 164 | 139 | 0 | 6 | 16 | 12 | 13 | 10 | 17 | 14 | 14 | 16 | 6 | 15 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 4 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 |
Родится Пантагрюэль | 134 | 134 | 0 | 6 | 16 | 12 | 12 | 11 | 12 | 16 | 30 | 19 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
Цветовое кино | 123 | 123 | 0 | 26 | 92 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 2 | 4 | 1 | 5 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 4 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 4 | 1 | 1 | 3 | 1 | 2 | 27 | 14 | 3 | 2 | 3 | 7 | 1 | 4 |
Бедный Сальери | 113 | 113 | 0 | 13 | 21 | 19 | 18 | 42 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 |
Из неоконченного исследования о цвете | 80 | 80 | 0 | 19 | 32 | 29 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 4 | 2 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 2 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 4 |
О стереокино | 79 | 79 | 0 | 23 | 23 | 33 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 4 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 2 | 2 |
Цветовая родословная "Москвы 800" | 72 | 72 | 0 | 17 | 30 | 25 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 2 | 0 | 3 | 2 |
Цвет | 62 | 62 | 0 | 14 | 18 | 30 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 3 |
Из лекций о музыке и цвете в "Иване Грозном" | 60 | 60 | 0 | 15 | 34 | 11 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 3 | 2 | 3 | 6 | 11 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | Jan | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | |
[Цветовая разработка фильма "Любовь поэта"] | 55 | 55 | 0 | 16 | 14 | 25 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 |
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