| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
По разделу |
30179 | 848 |
52 |
137 |
94 |
63 |
66 |
52 |
51 |
56 |
110 |
44 |
51 |
72 |
0 |
2 |
4 |
4 |
5 |
2 |
3 |
2 |
2 |
2 |
1 |
5 |
3 |
2 |
2 |
2 |
1 |
3 |
2 |
3 |
2 |
5 |
8 |
4 |
3 |
3 |
2 |
7 |
4 |
3 |
3 |
3 |
10 |
15 |
5 |
6 |
6 |
7 |
5 |
3 |
2 |
2 |
4 |
3 |
2 |
5 |
3 |
4 |
3 |
3 |
2 |
2 |
4 |
3 |
2 |
3 |
5 |
4 |
5 |
6 |
3 |
7 |
Происхождение современной Франции |
8140 | 473 |
27 |
49 |
64 |
45 |
48 |
30 |
30 |
38 |
35 |
30 |
31 |
46 |
0 |
0 |
4 |
0 |
5 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
3 |
1 |
3 |
2 |
2 |
4 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
4 |
3 |
1 |
0 |
0 |
4 |
3 |
0 |
2 |
0 |
4 |
1 |
1 |
2 |
5 |
4 |
5 |
1 |
1 |
2 |
Лекции об искусстве (Философия искусства) -- 1 |
244 | 244 |
38 |
60 |
42 |
22 |
18 |
10 |
8 |
18 |
28 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
3 |
2 |
2 |
1 |
1 |
5 |
2 |
1 |
1 |
1 |
1 |
3 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
3 |
3 |
2 |
3 |
5 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
4 |
3 |
1 |
3 |
3 |
1 |
2 |
1 |
3 |
1 |
3 |
2 |
2 |
2 |
6 |
2 |
1 |
Наполеон Бонапарт |
1377 | 194 |
10 |
21 |
21 |
16 |
15 |
16 |
14 |
17 |
15 |
10 |
14 |
25 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
Наполеон Бонапарт |
1399 | 186 |
15 |
24 |
26 |
13 |
14 |
11 |
13 |
9 |
13 |
11 |
15 |
22 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
4 |
Тэн. Критические опыты. Перев. под редакциею В. Чуйко. Спб. 1869 г |
731 | 161 |
10 |
12 |
17 |
13 |
14 |
15 |
14 |
15 |
17 |
8 |
12 |
14 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
Лекции об искусстве (Философия искусства) - 5 |
157 | 157 |
13 |
27 |
25 |
11 |
12 |
7 |
8 |
14 |
40 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
5 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
14 июля 1789 года |
3402 | 157 |
9 |
14 |
21 |
8 |
8 |
11 |
8 |
12 |
18 |
12 |
14 |
22 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
3 |
0 |
0 |
2 |
Посмертный труд Тэна |
228 | 152 |
7 |
16 |
18 |
10 |
11 |
10 |
11 |
13 |
11 |
11 |
13 |
21 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
Ипполит Тэн: биографическая справка |
5288 | 151 |
7 |
11 |
12 |
15 |
23 |
21 |
12 |
9 |
10 |
8 |
9 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
Лекции об искусстве (Философия искусства) - 4 |
146 | 146 |
12 |
24 |
20 |
9 |
11 |
11 |
12 |
17 |
30 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
Письмо к И. С. Тургеневу |
216 | 143 |
11 |
17 |
22 |
9 |
12 |
6 |
11 |
5 |
13 |
6 |
12 |
19 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
Лекции об искусстве (Философия искусства) - 2 |
142 | 142 |
27 |
24 |
15 |
11 |
8 |
9 |
4 |
10 |
34 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
Лекции об искусстве (Философия искусства) - 3 |
138 | 138 |
7 |
16 |
21 |
11 |
11 |
8 |
8 |
11 |
45 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
Томас Бабингтон Маколей |
3724 | 136 |
8 |
12 |
17 |
13 |
8 |
8 |
8 |
13 |
11 |
9 |
12 |
17 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
Бальзак. Этюд Ипполита Тэна. (Европ. библиотека). Перев. С. Шклявера |
161 | 131 |
6 |
10 |
12 |
9 |
15 |
15 |
7 |
7 |
11 |
4 |
13 |
22 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
Мысли Тэна |
2752 | 129 |
8 |
10 |
20 |
6 |
10 |
6 |
8 |
13 |
7 |
13 |
11 |
17 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
Тит Ливий. Критическое исследование Г. Тэна. Перевод с французского А. Иванова и Е. Щепкина. Москва, 1885 г |
1478 | 125 |
4 |
14 |
16 |
8 |
6 |
10 |
7 |
10 |
10 |
7 |
13 |
20 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
Посмертный труд Тэна |
155 | 101 |
3 |
7 |
11 |
11 |
7 |
6 |
5 |
7 |
9 |
11 |
8 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
Посмертный труд Тэна |
133 | 89 |
5 |
7 |
12 |
6 |
9 |
5 |
4 |
6 |
8 |
6 |
8 |
13 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |