| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 29 | 28 | 27 | 26 |
По разделу |
371823 | 1255 |
103 |
121 |
163 |
105 |
91 |
100 |
99 |
89 |
92 |
93 |
86 |
113 |
2 |
4 |
5 |
5 |
3 |
3 |
5 |
4 |
4 |
4 |
4 |
4 |
2 |
3 |
3 |
4 |
4 |
3 |
4 |
4 |
2 |
4 |
6 |
5 |
3 |
3 |
6 |
2 |
7 |
6 |
7 |
6 |
5 |
9 |
6 |
2 |
4 |
5 |
4 |
4 |
2 |
3 |
3 |
3 |
4 |
5 |
3 |
3 |
3 |
4 |
3 |
2 |
3 |
2 |
4 |
2 |
3 |
2 |
7 |
2 |
6 |
3 |
Стихотворения |
8846 | 506 |
48 |
63 |
38 |
50 |
36 |
56 |
56 |
33 |
27 |
33 |
27 |
39 |
0 |
0 |
3 |
1 |
3 |
1 |
2 |
1 |
0 |
3 |
4 |
2 |
1 |
3 |
3 |
1 |
3 |
2 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
4 |
2 |
2 |
5 |
2 |
1 |
5 |
2 |
0 |
2 |
4 |
5 |
4 |
4 |
1 |
1 |
3 |
2 |
0 |
5 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
Луначарский А. В.: биографическая справка |
11644 | 492 |
19 |
23 |
18 |
44 |
46 |
50 |
50 |
41 |
54 |
46 |
45 |
56 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
Лекция А. В. Луначарского о Тургеневе |
8242 | 400 |
36 |
36 |
30 |
44 |
26 |
39 |
35 |
32 |
19 |
21 |
21 |
61 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
3 |
3 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
5 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
Сверхскульптор и сверхпоэт |
5857 | 347 |
25 |
36 |
33 |
21 |
28 |
47 |
32 |
25 |
26 |
25 |
14 |
35 |
0 |
2 |
4 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
4 |
2 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
Достоевский, как художник и мыслитель |
11388 | 346 |
23 |
36 |
26 |
26 |
22 |
49 |
34 |
25 |
33 |
18 |
15 |
39 |
0 |
2 |
5 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
5 |
2 |
2 |
1 |
1 |
2 |
2 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
Жизнь прекрасна, жизнь трагична... |
10006 | 338 |
27 |
32 |
21 |
29 |
26 |
32 |
28 |
25 |
19 |
34 |
30 |
35 |
0 |
1 |
4 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
5 |
1 |
0 |
1 |
0 |
4 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
Христианство или коммунизм |
5448 | 305 |
20 |
36 |
20 |
21 |
18 |
27 |
26 |
17 |
32 |
25 |
26 |
37 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
5 |
4 |
2 |
0 |
3 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
Выставка картин "Союза русских художников" |
5752 | 283 |
29 |
37 |
29 |
37 |
24 |
24 |
20 |
18 |
14 |
16 |
15 |
20 |
0 |
3 |
4 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
4 |
2 |
2 |
1 |
4 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
6 |
0 |
Владимир Галактионович Короленко |
4488 | 283 |
25 |
24 |
34 |
21 |
16 |
30 |
26 |
31 |
17 |
17 |
20 |
22 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
7 |
1 |
1 |
1 |
Грибоедов |
9032 | 277 |
21 |
20 |
23 |
37 |
18 |
33 |
26 |
15 |
21 |
16 |
20 |
27 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
Луначарский А. В.: биобиблиографическая справка |
7178 | 277 |
20 |
26 |
20 |
30 |
13 |
31 |
36 |
25 |
18 |
9 |
16 |
33 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
2 |
6 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
Верлен |
4565 | 277 |
17 |
23 |
21 |
33 |
14 |
19 |
19 |
12 |
18 |
27 |
44 |
30 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
К характеристике Октябрьской революции |
6261 | 274 |
16 |
19 |
23 |
27 |
24 |
32 |
31 |
17 |
28 |
18 |
15 |
24 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
Социология и патология в истории литературы |
2475 | 267 |
19 |
34 |
18 |
15 |
15 |
19 |
20 |
20 |
27 |
20 |
41 |
19 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
5 |
1 |
3 |
4 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
Самоубийство и философия |
5195 | 263 |
22 |
26 |
27 |
30 |
19 |
26 |
15 |
19 |
17 |
23 |
17 |
22 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
4 |
3 |
0 |
3 |
2 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
2 |
1 |
Марксизм и литература |
5896 | 251 |
23 |
31 |
20 |
23 |
22 |
25 |
19 |
15 |
19 |
16 |
14 |
24 |
0 |
1 |
2 |
5 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
5 |
1 |
3 |
0 |
0 |
4 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
Письма к С. Д. Балухатому и Е. Д. Зозуле |
5751 | 248 |
20 |
26 |
23 |
21 |
23 |
23 |
23 |
15 |
12 |
24 |
15 |
23 |
0 |
4 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
2 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
Три встречи. Из воспоминаний об ушедших |
4029 | 246 |
21 |
28 |
25 |
17 |
27 |
21 |
31 |
11 |
16 |
15 |
12 |
22 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
Н. В. Гоголь |
7784 | 245 |
21 |
33 |
24 |
24 |
17 |
21 |
16 |
17 |
13 |
20 |
19 |
20 |
0 |
3 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
5 |
5 |
0 |
2 |
0 |
2 |
0 |
2 |
3 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 29 | 28 | 27 | 26 |
О Театре Мейерхольда |
6544 | 243 |
23 |
38 |
18 |
21 |
17 |
23 |
17 |
17 |
17 |
12 |
18 |
22 |
0 |
1 |
4 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
7 |
4 |
3 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
Баб, Юлиус |
408 | 241 |
21 |
29 |
18 |
22 |
17 |
20 |
17 |
15 |
22 |
20 |
20 |
20 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
6 |
2 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
"Дом Искусств" |
6208 | 239 |
18 |
26 |
25 |
22 |
20 |
18 |
15 |
15 |
20 |
34 |
11 |
15 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
5 |
2 |
3 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
Верхарн |
5059 | 237 |
18 |
27 |
18 |
18 |
15 |
20 |
18 |
29 |
14 |
16 |
13 |
31 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
4 |
3 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
Из неизданных воспоминаний о В. И. Ленине |
4387 | 237 |
31 |
25 |
20 |
24 |
15 |
21 |
19 |
16 |
13 |
19 |
17 |
17 |
0 |
1 |
3 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
4 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
3 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
Фельетоны |
6227 | 233 |
12 |
23 |
19 |
18 |
12 |
22 |
20 |
13 |
22 |
20 |
17 |
35 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
0 |
Ленин как ученый и публицист |
5122 | 230 |
21 |
27 |
24 |
24 |
11 |
21 |
17 |
11 |
17 |
18 |
15 |
24 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
Коммунистический спектакль |
6033 | 229 |
22 |
23 |
22 |
20 |
19 |
21 |
26 |
12 |
14 |
16 |
15 |
19 |
0 |
3 |
3 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
Выставка картин Сезанна |
4657 | 228 |
15 |
21 |
20 |
32 |
16 |
27 |
22 |
18 |
16 |
17 |
8 |
16 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
5 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
Г. В. Плеханов как литературный критик |
3151 | 227 |
28 |
25 |
27 |
27 |
14 |
19 |
11 |
13 |
10 |
13 |
17 |
23 |
0 |
3 |
4 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
6 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
О быте |
2364 | 226 |
20 |
23 |
22 |
16 |
16 |
28 |
16 |
13 |
29 |
15 |
15 |
13 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
6 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
Пушкин-критик |
7626 | 221 |
14 |
28 |
18 |
28 |
19 |
19 |
12 |
13 |
13 |
16 |
17 |
24 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
4 |
5 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
Социологические и патологические факторы в истории искусства |
2386 | 217 |
20 |
30 |
16 |
19 |
15 |
20 |
17 |
16 |
20 |
12 |
14 |
18 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
4 |
2 |
4 |
2 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
Социалистический реализм |
1003 | 215 |
15 |
27 |
20 |
18 |
19 |
20 |
17 |
8 |
21 |
14 |
11 |
25 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
6 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
О художнике вообще и некоторых художниках в частности |
2758 | 215 |
22 |
27 |
19 |
16 |
13 |
18 |
17 |
8 |
12 |
14 |
14 |
35 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
6 |
0 |
5 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
Оливер Кромвель |
2042 | 211 |
25 |
31 |
18 |
15 |
13 |
18 |
18 |
13 |
14 |
17 |
10 |
19 |
0 |
0 |
4 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
4 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
4 |
3 |
0 |
0 |
2 |
1 |
2 |
3 |
4 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
А. И. Герцен и люди сороковых годов |
2883 | 210 |
20 |
25 |
18 |
17 |
15 |
19 |
18 |
6 |
14 |
18 |
16 |
24 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
3 |
2 |
4 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
О "многоголосности" Достоевского |
3997 | 209 |
13 |
27 |
19 |
16 |
14 |
27 |
13 |
11 |
12 |
18 |
14 |
25 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
5 |
2 |
2 |
0 |
0 |
2 |
4 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
Заявление в расширенную редакцию "Пролетария" |
3597 | 205 |
22 |
27 |
16 |
18 |
11 |
17 |
14 |
11 |
26 |
16 |
11 |
16 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
Предисловие к книге А. Франса "Жизнь Жанны д"Арк" |
2721 | 205 |
24 |
21 |
13 |
11 |
12 |
23 |
18 |
14 |
15 |
16 |
13 |
25 |
0 |
1 |
3 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
4 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 29 | 28 | 27 | 26 |
Трагизм жизни и белая магия |
2477 | 167 |
16 |
28 |
13 |
14 |
8 |
21 |
11 |
9 |
9 |
10 |
10 |
18 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
6 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
Молодая французская поэзия |
2148 | 167 |
11 |
23 |
16 |
11 |
17 |
15 |
11 |
8 |
13 |
10 |
13 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
Распоряжение |
166 | 166 |
41 |
57 |
40 |
28 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
5 |
2 |
4 |
1 |
1 |
3 |
3 |
2 |
2 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
3 |
3 |
О судьбе, насилии и свободе |
957 | 165 |
13 |
17 |
20 |
18 |
12 |
16 |
16 |
6 |
13 |
12 |
12 |
10 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
Куда идет французская интеллигенция |
2146 | 165 |
11 |
23 |
23 |
12 |
11 |
18 |
16 |
6 |
8 |
10 |
12 |
15 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
5 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
Письмо Е. Б. Вахтангову |
2888 | 164 |
12 |
22 |
19 |
15 |
10 |
17 |
13 |
12 |
10 |
12 |
7 |
15 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
3 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
Предисловие к книге А. Франса ""На белом камне"" |
2612 | 164 |
12 |
22 |
15 |
12 |
11 |
24 |
15 |
7 |
11 |
12 |
10 |
13 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
6 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
Доктор Фауст |
580 | 163 |
13 |
23 |
16 |
14 |
14 |
17 |
12 |
7 |
11 |
9 |
12 |
15 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
4 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
Гарибальди, Джузеппе |
372 | 163 |
11 |
26 |
19 |
14 |
12 |
17 |
12 |
10 |
13 |
7 |
11 |
11 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
Бодлер, Шарль |
1911 | 163 |
17 |
16 |
15 |
17 |
12 |
17 |
13 |
7 |
13 |
14 |
7 |
15 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
"Потонувший колокол" Гауптмана |
1825 | 163 |
12 |
22 |
16 |
10 |
11 |
13 |
16 |
13 |
8 |
14 |
10 |
18 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
6 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
Эгон Эрвин Киш |
1128 | 162 |
12 |
23 |
16 |
17 |
11 |
20 |
14 |
11 |
10 |
7 |
9 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
5 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
Иосиф Уткин. По поводу "Первой книги стихов" |
2663 | 162 |
11 |
19 |
14 |
15 |
10 |
17 |
11 |
8 |
13 |
12 |
12 |
20 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
5 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
Староста Малого театра |
2545 | 162 |
12 |
21 |
13 |
13 |
14 |
19 |
12 |
12 |
14 |
9 |
12 |
11 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
5 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
Молодая французская живопись |
1943 | 162 |
11 |
22 |
16 |
11 |
15 |
14 |
14 |
10 |
11 |
10 |
10 |
18 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
6 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
Маттиас Клаузен и Егор Булычев |
1629 | 162 |
15 |
20 |
15 |
12 |
12 |
17 |
7 |
12 |
12 |
12 |
10 |
18 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
Анри де Ренье |
2078 | 161 |
8 |
25 |
16 |
16 |
11 |
18 |
11 |
10 |
9 |
10 |
13 |
14 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
Предисловие к роману А. Франса "Современная история" |
2072 | 160 |
14 |
19 |
14 |
14 |
13 |
19 |
14 |
8 |
9 |
15 |
9 |
12 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
Анатоль Франс |
2364 | 159 |
10 |
22 |
14 |
12 |
12 |
20 |
12 |
12 |
13 |
9 |
8 |
15 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
5 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
Предисловие к роману А. Франса "Остров пингвинов" |
2238 | 159 |
15 |
19 |
17 |
14 |
9 |
17 |
14 |
11 |
8 |
14 |
7 |
14 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 29 | 28 | 27 | 26 |
Переписка с издательством "Земля и Фабрика" |
2533 | 157 |
12 |
21 |
16 |
12 |
15 |
20 |
12 |
10 |
10 |
8 |
10 |
11 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
Предисловие к роману А. Франса "Театральная история" |
2324 | 157 |
16 |
17 |
13 |
13 |
12 |
20 |
13 |
8 |
8 |
7 |
9 |
21 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
Путь писателя |
2302 | 156 |
15 |
18 |
17 |
14 |
8 |
18 |
11 |
7 |
10 |
10 |
10 |
18 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
Бернард Шоу - наш гость |
866 | 155 |
15 |
19 |
17 |
13 |
11 |
14 |
12 |
11 |
11 |
12 |
6 |
14 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
Предисловие к роману А. Франса "Таис" |
2201 | 155 |
9 |
21 |
14 |
13 |
14 |
19 |
14 |
5 |
9 |
15 |
9 |
13 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
Предисловие к сборнику очерков Ефима Зозули "Встречи" |
2910 | 152 |
13 |
22 |
14 |
13 |
12 |
16 |
12 |
6 |
9 |
10 |
10 |
15 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
Предисловие к роману А. Франса "Боги жаждут" |
2040 | 152 |
12 |
23 |
13 |
12 |
8 |
20 |
12 |
8 |
13 |
10 |
7 |
14 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
6 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
Леконт де Лиль |
2201 | 152 |
16 |
19 |
13 |
13 |
13 |
17 |
10 |
7 |
11 |
10 |
9 |
14 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
Жюль Леметр |
1857 | 152 |
10 |
23 |
16 |
15 |
7 |
14 |
15 |
8 |
9 |
9 |
7 |
19 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
7 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
В. В. Лужский |
373 | 151 |
10 |
19 |
14 |
17 |
9 |
13 |
13 |
10 |
14 |
5 |
12 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
О г. Волжском и его идеалах |
753 | 150 |
19 |
15 |
18 |
11 |
10 |
14 |
14 |
8 |
8 |
7 |
9 |
17 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
4 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
Ленин о монументальной пропаганде |
816 | 150 |
10 |
22 |
15 |
15 |
11 |
15 |
14 |
7 |
9 |
9 |
13 |
10 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
6 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
Книги А. В. Луначарского |
548 | 150 |
14 |
21 |
20 |
14 |
9 |
13 |
14 |
7 |
9 |
7 |
10 |
12 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
5 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
Богема |
396 | 150 |
15 |
17 |
18 |
13 |
7 |
14 |
13 |
6 |
10 |
10 |
8 |
19 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
5 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
Последний год |
1674 | 150 |
16 |
17 |
15 |
11 |
11 |
14 |
11 |
9 |
10 |
12 |
12 |
12 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
"Ученик дьявола" |
935 | 149 |
12 |
20 |
16 |
11 |
10 |
15 |
13 |
11 |
11 |
7 |
9 |
14 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
Прения по докладу А. В. Луначарского и содокладу С. С. Динамова |
643 | 149 |
13 |
15 |
13 |
14 |
12 |
14 |
12 |
8 |
12 |
10 |
13 |
13 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
Поэт неокатолицизма |
1733 | 149 |
10 |
15 |
14 |
16 |
11 |
15 |
11 |
9 |
12 |
10 |
12 |
14 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
Князь поэтов в народном Университете |
1341 | 148 |
11 |
20 |
14 |
10 |
12 |
17 |
13 |
9 |
7 |
11 |
13 |
11 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
Предисловие [К "Новеллам" Мопассана] |
398 | 148 |
15 |
18 |
16 |
9 |
12 |
15 |
12 |
8 |
14 |
8 |
7 |
14 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 29 | 28 | 27 | 26 |
Вместо предисловия |
2096 | 148 |
16 |
18 |
13 |
13 |
14 |
17 |
11 |
9 |
8 |
7 |
10 |
12 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
Жеган Риктюс |
1904 | 148 |
10 |
20 |
15 |
12 |
12 |
13 |
14 |
9 |
8 |
9 |
11 |
15 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
Самодовольные флюгера |
1586 | 148 |
11 |
16 |
16 |
14 |
11 |
15 |
10 |
8 |
12 |
9 |
9 |
17 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
Третья пьеса Шоу в Париже. "Убийца" |
745 | 145 |
12 |
23 |
13 |
12 |
12 |
16 |
8 |
9 |
9 |
9 |
11 |
11 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
1 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
Гёльдерлин, Фридрих |
360 | 144 |
12 |
18 |
13 |
17 |
11 |
13 |
11 |
9 |
9 |
8 |
8 |
15 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
5 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
Реми де Гурмон |
2065 | 144 |
14 |
18 |
16 |
11 |
9 |
12 |
13 |
8 |
9 |
9 |
8 |
17 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
5 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
Письмо к А. В. Луначарскому |
1300 | 144 |
15 |
16 |
19 |
15 |
8 |
13 |
14 |
6 |
9 |
8 |
10 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
Пути детской литературы |
807 | 143 |
12 |
20 |
14 |
15 |
6 |
17 |
12 |
7 |
9 |
7 |
11 |
13 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
Вмешательство Наполеона |
831 | 142 |
11 |
17 |
20 |
13 |
14 |
13 |
11 |
5 |
9 |
9 |
8 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
Из истории комедии во Франции |
767 | 142 |
10 |
22 |
13 |
14 |
8 |
14 |
16 |
4 |
7 |
11 |
7 |
16 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
Писатель иронии и надежды |
908 | 142 |
13 |
18 |
13 |
10 |
15 |
18 |
11 |
7 |
10 |
4 |
7 |
16 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
Краткий ответ г-ну Волжскому |
782 | 141 |
11 |
16 |
15 |
10 |
10 |
16 |
11 |
6 |
6 |
10 |
12 |
18 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Предисловие к книге А. Р. Кугеля "Профили театра" |
688 | 140 |
9 |
20 |
12 |
16 |
9 |
17 |
14 |
5 |
10 |
8 |
7 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
5 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
Европа |
802 | 137 |
13 |
16 |
19 |
11 |
6 |
16 |
12 |
7 |
8 |
6 |
12 |
11 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
[Рецензия на книгу С. С. Динамова "Бернард Шоу"] |
834 | 136 |
13 |
15 |
13 |
14 |
8 |
15 |
10 |
5 |
11 |
10 |
9 |
13 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
Артистический жанр Веры Федоровны Комиссаржевской |
362 | 136 |
9 |
18 |
15 |
10 |
11 |
17 |
11 |
6 |
10 |
9 |
5 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
Новейшая итальянская драма |
1660 | 136 |
13 |
15 |
16 |
13 |
8 |
15 |
13 |
6 |
10 |
4 |
10 |
13 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
В атаку на религию |
794 | 135 |
11 |
16 |
15 |
14 |
10 |
13 |
10 |
7 |
7 |
9 |
8 |
15 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
На сессии и в Европе |
907 | 133 |
10 |
18 |
15 |
10 |
8 |
13 |
11 |
10 |
7 |
7 |
10 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
Письмо комсомольцев А. В. Луначарскому |
757 | 126 |
13 |
15 |
14 |
10 |
9 |
13 |
11 |
8 |
6 |
6 |
9 |
12 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 29 | 28 | 27 | 26 |
На низовую работу |
868 | 126 |
11 |
16 |
14 |
13 |
8 |
13 |
10 |
5 |
8 |
6 |
9 |
13 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
Русские спектакли в Париже |
741 | 125 |
11 |
15 |
14 |
13 |
7 |
12 |
9 |
6 |
8 |
8 |
8 |
14 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
Луначарский, Анатолий Васильевич |
732 | 125 |
9 |
17 |
12 |
13 |
9 |
14 |
9 |
9 |
7 |
6 |
8 |
12 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
Письмо к М. Д. Эйхенгольцу |
98 | 98 |
10 |
17 |
18 |
21 |
32 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
Три кадета |
93 | 93 |
29 |
27 |
37 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
3 |
5 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
4 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
Книга - подвиг |
82 | 82 |
23 |
27 |
32 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
Анри Барбюс. Из личных воспоминаний |
72 | 72 |
18 |
24 |
30 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
3 |
1 |
1 |
0 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
У Ромена Роллана |
67 | 67 |
10 |
17 |
40 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
Послесловие к книге "Остроумно изобретательный идальго Дон Кихот Ламанческий" |
66 | 66 |
18 |
22 |
26 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
Барух Спиноза и буржуазия |
65 | 65 |
15 |
23 |
27 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
6 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
Кто для меня Ромен Роллан? |
64 | 64 |
11 |
22 |
31 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
5 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
Ленин |
63 | 63 |
13 |
22 |
28 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
Анри Барбюс об Эмиле Золя |
62 | 62 |
13 |
22 |
27 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
Речь о пролетарской архитектуре |
60 | 60 |
9 |
27 |
24 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
4 |
1 |
Дело "Ибсенистов" в Киеве |
47 | 47 |
7 |
21 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
Театр Сема Бенелли |
43 | 43 |
15 |
28 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
5 |
3 |
1 |
1 |
9 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Джованни Пасколи |
39 | 39 |
17 |
22 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
7 |
2 |
5 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Альфред Керр о русском кино |
37 | 37 |
37 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
2 |
2 |
4 |
2 |
2 |
6 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |