| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
По разделу |
589824 | 1002 |
42 |
80 |
96 |
79 |
84 |
77 |
82 |
75 |
84 |
86 |
105 |
112 |
1 |
2 |
2 |
3 |
3 |
3 |
2 |
3 |
2 |
2 |
2 |
3 |
2 |
2 |
2 |
3 |
2 |
3 |
3 |
4 |
3 |
2 |
2 |
2 |
3 |
3 |
2 |
3 |
2 |
3 |
3 |
4 |
3 |
3 |
2 |
2 |
2 |
2 |
3 |
2 |
2 |
2 |
2 |
4 |
2 |
3 |
3 |
2 |
2 |
4 |
1 |
2 |
6 |
4 |
5 |
2 |
4 |
3 |
5 |
5 |
3 |
3 |
Оправдание капитализма в западноевропейской философии (от Декарта до Маха) |
8836 | 400 |
21 |
28 |
38 |
27 |
33 |
37 |
21 |
37 |
33 |
27 |
45 |
53 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
5 |
4 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
О Максиме Горьком |
13271 | 370 |
22 |
27 |
47 |
23 |
37 |
32 |
22 |
25 |
32 |
28 |
34 |
41 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
5 |
1 |
2 |
2 |
1 |
3 |
3 |
1 |
3 |
1 |
Анна Михайловна Шулятикова (Распутина) |
8705 | 369 |
12 |
31 |
35 |
27 |
29 |
29 |
22 |
23 |
40 |
55 |
26 |
40 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
Опальный миллионер |
13950 | 342 |
14 |
24 |
33 |
23 |
38 |
30 |
17 |
30 |
35 |
37 |
28 |
33 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
3 |
2 |
2 |
2 |
1 |
5 |
1 |
1 |
В. И. Шулятиков. Прости, мои народ! |
11202 | 303 |
15 |
28 |
38 |
21 |
26 |
20 |
23 |
24 |
28 |
25 |
26 |
29 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
6 |
2 |
1 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
Этапы новейшей русской лирики |
9044 | 294 |
9 |
27 |
38 |
25 |
29 |
27 |
22 |
22 |
24 |
16 |
21 |
34 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
3 |
Совещание расширенной редакции "Пролетария" |
9873 | 274 |
11 |
25 |
33 |
17 |
24 |
21 |
17 |
17 |
26 |
20 |
23 |
40 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
4 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
4 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
Трэд-юнионистская опасность |
7142 | 266 |
13 |
22 |
31 |
24 |
20 |
25 |
17 |
20 |
19 |
15 |
28 |
32 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
3 |
Кто автор "Письма партийного работника"? |
6297 | 250 |
15 |
25 |
27 |
26 |
20 |
21 |
18 |
14 |
21 |
14 |
20 |
29 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
Мобилизация революции и мобилизация реакции |
6550 | 228 |
11 |
19 |
25 |
20 |
17 |
20 |
15 |
16 |
21 |
13 |
20 |
31 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
Из литературы испанского Ренессанса |
7459 | 227 |
13 |
19 |
27 |
19 |
27 |
17 |
15 |
16 |
20 |
12 |
15 |
27 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
"Рассказ о семи повешенных" Л.Андреева: исторический контекст |
9267 | 221 |
9 |
24 |
21 |
18 |
15 |
18 |
31 |
14 |
18 |
14 |
15 |
24 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
В. И. Шулятиков. Письма из-за границы |
5135 | 215 |
7 |
11 |
21 |
15 |
21 |
11 |
9 |
13 |
14 |
18 |
45 |
30 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
На рубеже двух культур |
9204 | 213 |
8 |
17 |
29 |
8 |
16 |
17 |
16 |
9 |
21 |
15 |
20 |
37 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
Против воли (Н. В. Гоголь) |
7504 | 210 |
10 |
17 |
26 |
10 |
9 |
15 |
12 |
11 |
25 |
17 |
16 |
42 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
5 |
1 |
1 |
1 |
Профессиональное движение и капиталистическая буржуазия |
6634 | 204 |
7 |
17 |
26 |
11 |
20 |
20 |
12 |
14 |
19 |
14 |
21 |
23 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
Ответ Е. А. Соловьеву (продолжение) |
4657 | 197 |
13 |
16 |
24 |
19 |
16 |
15 |
12 |
14 |
12 |
12 |
17 |
27 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
Критические этюды (О Бердяеве) |
7483 | 191 |
7 |
12 |
22 |
13 |
12 |
12 |
16 |
12 |
22 |
23 |
19 |
21 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
Умирающая партия |
7692 | 189 |
9 |
15 |
20 |
12 |
14 |
18 |
10 |
14 |
17 |
16 |
21 |
23 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
П. В. Алексеев. Шулятиков Владимир Михайлович |
5803 | 189 |
12 |
14 |
24 |
17 |
18 |
14 |
12 |
11 |
14 |
12 |
15 |
26 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
Ответ Е. А. Соловьеву |
4556 | 183 |
14 |
17 |
25 |
17 |
14 |
12 |
10 |
9 |
16 |
9 |
18 |
22 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
Международное положение |
5646 | 180 |
8 |
12 |
25 |
18 |
13 |
13 |
16 |
15 |
16 |
11 |
12 |
21 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
2 |
0 |
Восстановление разрушенной эстетики |
5928 | 177 |
8 |
7 |
24 |
17 |
13 |
9 |
13 |
11 |
26 |
14 |
14 |
21 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
Теоретик интеллигенции |
5548 | 171 |
7 |
11 |
22 |
11 |
19 |
11 |
11 |
12 |
17 |
11 |
21 |
18 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
Проповедник "живого дела" (Памяти И.А. Гончарова) |
5789 | 171 |
7 |
15 |
22 |
14 |
9 |
12 |
13 |
9 |
20 |
13 |
15 |
22 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
"Думская хроника" |
5813 | 170 |
8 |
13 |
22 |
16 |
16 |
10 |
12 |
11 |
12 |
12 |
10 |
28 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
Что дает закон 9 ноября? |
5518 | 170 |
11 |
12 |
19 |
16 |
13 |
11 |
13 |
13 |
14 |
9 |
15 |
24 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
Ф. М. Достоевский |
5887 | 170 |
7 |
16 |
24 |
10 |
18 |
13 |
10 |
11 |
12 |
9 |
11 |
29 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
Из теории и практики классовой борьбы |
6602 | 169 |
6 |
18 |
18 |
11 |
13 |
16 |
20 |
8 |
12 |
10 |
20 |
17 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
Рассказы о "бездомных и безродных" интеллигентах |
5707 | 169 |
8 |
16 |
23 |
13 |
13 |
15 |
20 |
11 |
10 |
12 |
12 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
Памяти Писемского |
6080 | 169 |
8 |
14 |
16 |
13 |
10 |
15 |
10 |
10 |
19 |
10 |
13 |
31 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
Рассказы о хищниках |
6822 | 166 |
11 |
15 |
18 |
14 |
11 |
15 |
10 |
13 |
13 |
9 |
17 |
20 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
Владимир Михайлович Шулятиков |
4549 | 166 |
10 |
13 |
20 |
24 |
12 |
12 |
7 |
4 |
21 |
7 |
14 |
22 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
Н. А. Добролюбов |
5144 | 165 |
10 |
11 |
20 |
9 |
6 |
17 |
15 |
11 |
20 |
13 |
13 |
20 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
О "новых" взглядах "старого" писателя |
4269 | 163 |
7 |
17 |
21 |
15 |
10 |
11 |
9 |
9 |
16 |
11 |
16 |
21 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
3 |
0 |
Назад к Достоевскому |
5987 | 163 |
10 |
14 |
21 |
9 |
16 |
15 |
9 |
7 |
17 |
6 |
15 |
24 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
К оценке текущего момента |
5303 | 162 |
9 |
14 |
20 |
16 |
12 |
13 |
10 |
9 |
12 |
11 |
12 |
24 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
Неаристократическая аристократия |
6745 | 161 |
5 |
13 |
22 |
12 |
16 |
13 |
9 |
9 |
20 |
9 |
10 |
23 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
2 |
Об освещении борьбы с отзовизмом |
6272 | 161 |
7 |
19 |
15 |
11 |
13 |
13 |
11 |
11 |
11 |
9 |
17 |
24 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
Николай Васильевич Мешков |
6621 | 160 |
9 |
13 |
16 |
17 |
16 |
10 |
9 |
15 |
17 |
7 |
12 |
19 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
Памяти Г. Успенского |
5434 | 159 |
11 |
12 |
22 |
17 |
11 |
10 |
11 |
6 |
14 |
16 |
10 |
19 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
Ада Негри |
4359 | 158 |
9 |
15 |
22 |
9 |
14 |
8 |
10 |
7 |
15 |
6 |
19 |
24 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
О новых произведениях П. Д. Боборыкина |
5233 | 157 |
4 |
13 |
18 |
9 |
11 |
13 |
8 |
9 |
21 |
18 |
9 |
24 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
Памяти Михаила Ивановича Шулятикова |
4642 | 156 |
5 |
15 |
16 |
7 |
13 |
8 |
11 |
15 |
21 |
14 |
15 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Памяти Н. В. Шелгунова |
3648 | 155 |
5 |
6 |
17 |
17 |
18 |
26 |
5 |
5 |
13 |
12 |
13 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
Памяти Ф. М. Решетникова |
5013 | 151 |
10 |
10 |
22 |
12 |
10 |
11 |
10 |
5 |
16 |
16 |
11 |
18 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
И. Ф. Горбунов |
5893 | 146 |
10 |
12 |
15 |
10 |
11 |
14 |
5 |
14 |
19 |
11 |
8 |
17 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
Критические этюды (А. И. Сумбатов) |
4585 | 145 |
3 |
16 |
21 |
7 |
10 |
6 |
10 |
6 |
15 |
10 |
12 |
29 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
Новая сцена и новая драма |
7941 | 143 |
5 |
18 |
15 |
13 |
9 |
13 |
9 |
6 |
12 |
9 |
11 |
23 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
Критические этюды (Мережковский, Гиппиус) |
5532 | 143 |
8 |
10 |
14 |
19 |
7 |
10 |
8 |
8 |
18 |
7 |
9 |
25 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
Новые перепевы старых мотивов |
4330 | 142 |
8 |
12 |
19 |
12 |
10 |
11 |
9 |
7 |
12 |
10 |
9 |
23 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
Новый мистицизм |
4172 | 142 |
9 |
10 |
18 |
11 |
14 |
13 |
10 |
10 |
16 |
7 |
8 |
16 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
О культе природы в современной лирике |
5494 | 136 |
5 |
16 |
17 |
9 |
13 |
11 |
8 |
7 |
13 |
6 |
14 |
17 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
В. М. Шулятиков |
4689 | 135 |
10 |
8 |
14 |
10 |
11 |
12 |
6 |
7 |
11 |
10 |
13 |
23 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
Критические этюды |
5192 | 134 |
13 |
6 |
19 |
13 |
14 |
12 |
7 |
6 |
12 |
5 |
13 |
14 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
Новая повесть В. Вересаев |
5926 | 133 |
10 |
10 |
12 |
13 |
10 |
9 |
8 |
8 |
13 |
5 |
14 |
21 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Письмо партийного работника |
4235 | 132 |
6 |
12 |
16 |
7 |
12 |
10 |
7 |
11 |
12 |
9 |
13 |
17 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
Страница итогов |
4874 | 130 |
6 |
8 |
20 |
11 |
10 |
8 |
6 |
7 |
15 |
5 |
13 |
21 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
Старое и "новое" в современной литературе |
4249 | 128 |
7 |
11 |
15 |
9 |
7 |
8 |
6 |
7 |
10 |
10 |
9 |
29 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
Одинокие таинственные люди |
3864 | 127 |
6 |
9 |
15 |
9 |
12 |
9 |
6 |
9 |
14 |
5 |
12 |
21 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
Униженные и оскорбленные в пьесах Островского |
7110 | 126 |
5 |
8 |
18 |
11 |
10 |
10 |
8 |
5 |
17 |
6 |
12 |
16 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
4 |
2 |
1 |
2 |
Памяти Григория Мачтета |
4307 | 126 |
6 |
6 |
18 |
7 |
4 |
7 |
12 |
5 |
14 |
9 |
12 |
26 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
1 |
Н. Закирова. Искусство памяти: отражение российской истории в родословной Шулятиковых |
3170 | 125 |
6 |
14 |
15 |
6 |
13 |
8 |
7 |
8 |
11 |
6 |
16 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
Н. И. Тимковский |
4292 | 123 |
6 |
10 |
22 |
6 |
9 |
7 |
7 |
8 |
13 |
8 |
9 |
18 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
В. М. Шулятиков (Из истории русской марксистской критики) |
4507 | 122 |
6 |
6 |
20 |
12 |
9 |
8 |
6 |
6 |
13 |
7 |
13 |
16 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
Душевная драма Некрасова |
5661 | 121 |
8 |
6 |
12 |
11 |
10 |
8 |
7 |
3 |
13 |
14 |
10 |
19 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
О драмах Чехова |
7551 | 120 |
5 |
9 |
19 |
5 |
11 |
10 |
6 |
7 |
13 |
7 |
12 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
Памяти Д. В. Веневитинова |
3602 | 120 |
6 |
11 |
14 |
10 |
10 |
14 |
4 |
8 |
17 |
3 |
9 |
14 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
О новейшем реализме |
4405 | 119 |
7 |
6 |
13 |
12 |
10 |
9 |
6 |
7 |
11 |
14 |
10 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
"Новое искусство" |
4684 | 119 |
5 |
5 |
17 |
12 |
11 |
12 |
6 |
6 |
15 |
6 |
11 |
13 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
Ищу родственников Сергея Николаевича Салтыкова |
3144 | 118 |
10 |
5 |
11 |
10 |
9 |
6 |
6 |
6 |
12 |
11 |
10 |
22 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
О новой теории искусства |
3811 | 117 |
8 |
10 |
15 |
11 |
14 |
7 |
5 |
11 |
9 |
4 |
8 |
15 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
Серенькие люди (М. Н. Альбов) |
4151 | 116 |
4 |
9 |
17 |
11 |
8 |
8 |
6 |
6 |
13 |
7 |
10 |
17 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
4 |
1 |
0 |
2 |
Воля к силе и воля к жизни (С. Надсон) |
4242 | 114 |
4 |
13 |
16 |
10 |
12 |
10 |
6 |
5 |
11 |
6 |
7 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
Литературные очерки. III |
1801 | 113 |
5 |
9 |
16 |
6 |
8 |
7 |
8 |
9 |
10 |
3 |
8 |
24 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
Вместо введения. Помянем прошлое |
3478 | 113 |
7 |
6 |
10 |
10 |
9 |
9 |
5 |
7 |
11 |
6 |
12 |
21 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
Философия патриархальной простоты (М. О. Меньшиков) |
4711 | 112 |
5 |
11 |
15 |
11 |
8 |
7 |
6 |
9 |
11 |
4 |
9 |
16 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
О Л. Мельшине |
3986 | 111 |
8 |
8 |
19 |
8 |
9 |
8 |
4 |
7 |
10 |
6 |
10 |
14 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
В. И. Дмитриева |
3791 | 110 |
7 |
7 |
13 |
8 |
10 |
9 |
9 |
7 |
9 |
5 |
11 |
15 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
Одинокие и лишние |
3625 | 110 |
4 |
8 |
16 |
8 |
7 |
10 |
5 |
7 |
16 |
4 |
10 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
Плоды пессимистического творчества |
3565 | 110 |
6 |
9 |
12 |
9 |
9 |
6 |
4 |
6 |
13 |
12 |
10 |
14 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Теоретик талантливой жизни |
4547 | 108 |
6 |
8 |
11 |
9 |
11 |
7 |
5 |
7 |
11 |
8 |
11 |
14 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Бродячая Русь |
5868 | 108 |
7 |
4 |
14 |
9 |
6 |
10 |
12 |
6 |
7 |
5 |
13 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
2 |
1 |
Литературный хищник |
3475 | 107 |
6 |
8 |
13 |
9 |
9 |
8 |
4 |
8 |
10 |
2 |
13 |
17 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
Страница прошлого |
5199 | 106 |
8 |
11 |
12 |
6 |
8 |
4 |
8 |
8 |
14 |
3 |
8 |
16 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
М. Авдеев |
4095 | 105 |
5 |
6 |
11 |
12 |
9 |
12 |
5 |
6 |
10 |
5 |
6 |
18 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
О Михайловском |
4080 | 105 |
6 |
9 |
11 |
11 |
7 |
9 |
4 |
6 |
11 |
6 |
10 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
Один из забытых |
3150 | 105 |
6 |
2 |
12 |
14 |
9 |
9 |
5 |
8 |
8 |
12 |
4 |
16 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
Памяти В. М. Шулятикова |
3686 | 104 |
4 |
2 |
14 |
8 |
12 |
11 |
7 |
4 |
9 |
7 |
14 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
В. И. Шулятиков. Гласность в Глазове начиналась так ... |
4655 | 104 |
5 |
10 |
10 |
8 |
8 |
11 |
9 |
4 |
12 |
5 |
8 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
До сих пор моя скорбь... (К 100-летию Н. И. Бухарина) |
3522 | 104 |
6 |
4 |
11 |
9 |
4 |
5 |
6 |
4 |
8 |
6 |
16 |
25 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
И. С. Никитин (К 40 летию со дня кончины) |
4502 | 103 |
5 |
9 |
13 |
6 |
7 |
8 |
5 |
5 |
11 |
8 |
8 |
18 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
Эдмунд Кениг. В. Вундт. Его философия и психология |
3501 | 103 |
7 |
4 |
14 |
8 |
8 |
8 |
6 |
3 |
11 |
6 |
8 |
20 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
Владимир Михайлович Шулятиков |
5108 | 101 |
5 |
8 |
12 |
12 |
7 |
7 |
6 |
4 |
10 |
7 |
7 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
В "стихийной" борьбе за жизнь |
4121 | 101 |
4 |
7 |
14 |
14 |
8 |
8 |
4 |
6 |
7 |
9 |
6 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
Воспоминания (фельетон) |
4339 | 101 |
5 |
7 |
14 |
8 |
6 |
8 |
7 |
5 |
7 |
7 |
10 |
17 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
Три романистки |
3744 | 100 |
5 |
9 |
10 |
11 |
7 |
8 |
8 |
5 |
7 |
7 |
7 |
16 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
М. В. Михайлова. Из плеяды критиков-марксистов |
6619 | 99 |
5 |
7 |
13 |
5 |
10 |
5 |
6 |
7 |
11 |
8 |
8 |
14 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Несколько слов о литературном "оскудении" |
3218 | 98 |
7 |
6 |
11 |
8 |
9 |
8 |
7 |
6 |
7 |
5 |
10 |
14 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |