| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
По разделу |
173534 | 1710 |
161 |
160 |
110 |
119 |
139 |
126 |
211 |
132 |
120 |
128 |
148 |
156 |
1 |
8 |
5 |
10 |
10 |
4 |
7 |
10 |
7 |
6 |
18 |
17 |
4 |
5 |
2 |
4 |
3 |
3 |
12 |
8 |
9 |
8 |
6 |
9 |
7 |
14 |
13 |
3 |
2 |
7 |
2 |
5 |
5 |
6 |
4 |
3 |
3 |
4 |
3 |
4 |
9 |
5 |
3 |
7 |
2 |
2 |
2 |
7 |
9 |
3 |
8 |
3 |
3 |
4 |
2 |
4 |
3 |
2 |
2 |
4 |
2 |
5 |
Письма об Испании |
39382 | 1375 |
63 |
128 |
96 |
104 |
129 |
114 |
197 |
109 |
86 |
97 |
131 |
121 |
0 |
2 |
4 |
1 |
2 |
4 |
4 |
5 |
7 |
2 |
4 |
3 |
0 |
3 |
2 |
4 |
0 |
3 |
3 |
4 |
5 |
1 |
3 |
9 |
3 |
4 |
6 |
2 |
2 |
7 |
2 |
5 |
5 |
6 |
3 |
2 |
3 |
4 |
3 |
4 |
9 |
3 |
3 |
7 |
1 |
1 |
1 |
7 |
9 |
3 |
8 |
3 |
2 |
4 |
2 |
3 |
3 |
2 |
2 |
4 |
2 |
3 |
Стихотворения А. А. Фета |
24340 | 753 |
153 |
92 |
44 |
26 |
27 |
25 |
50 |
55 |
50 |
56 |
58 |
117 |
1 |
8 |
5 |
10 |
10 |
4 |
7 |
10 |
3 |
6 |
18 |
17 |
4 |
5 |
1 |
3 |
3 |
1 |
12 |
8 |
9 |
8 |
6 |
3 |
7 |
14 |
13 |
3 |
2 |
4 |
2 |
3 |
1 |
4 |
3 |
3 |
2 |
1 |
0 |
2 |
0 |
5 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
5 |
1 |
2 |
3 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
5 |
В. П. Боткин -- автор "Писем об Испании" |
11832 | 672 |
50 |
67 |
63 |
51 |
61 |
58 |
49 |
62 |
69 |
73 |
42 |
27 |
0 |
1 |
3 |
2 |
4 |
2 |
3 |
3 |
3 |
1 |
4 |
1 |
4 |
2 |
2 |
2 |
1 |
3 |
3 |
1 |
4 |
1 |
3 |
2 |
2 |
2 |
4 |
2 |
1 |
3 |
1 |
4 |
2 |
3 |
4 |
3 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
4 |
3 |
3 |
3 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
3 |
Творческая история "Писем об Испании" и отзывы о них современников |
8022 | 594 |
35 |
52 |
45 |
48 |
51 |
44 |
51 |
54 |
57 |
56 |
47 |
54 |
0 |
2 |
2 |
1 |
3 |
1 |
3 |
1 |
2 |
1 |
1 |
3 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
3 |
2 |
1 |
2 |
1 |
5 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
2 |
2 |
2 |
1 |
4 |
1 |
1 |
1 |
2 |
1 |
2 |
Боткин В. П.:биобиблиографическая справка |
7255 | 570 |
36 |
60 |
44 |
50 |
50 |
45 |
48 |
52 |
59 |
54 |
38 |
34 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
3 |
3 |
2 |
5 |
2 |
2 |
1 |
2 |
6 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
1 |
2 |
3 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
О Шекспире в переводе Кетчера |
2259 | 557 |
31 |
52 |
50 |
48 |
45 |
13 |
39 |
56 |
60 |
59 |
51 |
53 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
3 |
3 |
1 |
3 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
2 |
2 |
2 |
3 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
Боткин В. П.: биографическая справка |
2098 | 541 |
32 |
49 |
44 |
44 |
49 |
40 |
47 |
48 |
55 |
52 |
45 |
36 |
0 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
3 |
2 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
(Письма Белинского и Боткина к Краевскому) |
5118 | 519 |
31 |
43 |
45 |
40 |
44 |
43 |
40 |
46 |
50 |
48 |
43 |
46 |
0 |
3 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
3 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
Письмо из Италии. 1835 |
5596 | 423 |
28 |
48 |
43 |
44 |
33 |
11 |
14 |
21 |
47 |
44 |
44 |
46 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
2 |
2 |
3 |
1 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
Отрывки из дорожных заметок по Италии. 1835 |
7097 | 381 |
10 |
15 |
8 |
13 |
28 |
39 |
43 |
48 |
49 |
44 |
40 |
44 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
Переписка В. П. Боткина и И. С. Тургенева |
2531 | 339 |
19 |
28 |
21 |
23 |
30 |
27 |
26 |
32 |
43 |
34 |
27 |
29 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
4 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
Переписка В. П. Боткина с И. И. Панаевым |
1532 | 197 |
17 |
18 |
10 |
15 |
14 |
10 |
14 |
26 |
28 |
15 |
13 |
17 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Русский в Париже |
6739 | 176 |
9 |
23 |
13 |
12 |
18 |
9 |
11 |
16 |
18 |
21 |
11 |
15 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
4 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Шекспир как человек и лирик |
1445 | 174 |
11 |
17 |
13 |
12 |
10 |
8 |
12 |
11 |
25 |
25 |
18 |
12 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
Две недели в Лондоне. 1859 г |
1440 | 173 |
5 |
18 |
14 |
11 |
10 |
10 |
14 |
24 |
16 |
25 |
13 |
13 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
О русском переводе Гофмана |
1538 | 171 |
7 |
22 |
9 |
14 |
16 |
11 |
14 |
11 |
16 |
21 |
16 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Выставка в Императорской академии художеств. Октябрь 1855 года |
1147 | 169 |
5 |
10 |
9 |
13 |
16 |
4 |
12 |
18 |
16 |
32 |
18 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
Письма |
1134 | 168 |
13 |
17 |
12 |
20 |
12 |
11 |
9 |
18 |
14 |
17 |
12 |
13 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
Итальянская опера |
1106 | 165 |
9 |
15 |
7 |
16 |
13 |
9 |
8 |
15 |
20 |
18 |
22 |
13 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 |
Письмо к А. Н. Островскому |
1083 | 163 |
8 |
15 |
9 |
8 |
10 |
10 |
10 |
16 |
21 |
23 |
13 |
20 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
Итальянская и германская музыка |
986 | 162 |
11 |
11 |
11 |
19 |
15 |
6 |
11 |
16 |
21 |
19 |
10 |
12 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Об употреблении розы у древних |
1100 | 160 |
9 |
16 |
12 |
16 |
16 |
7 |
12 |
15 |
17 |
14 |
14 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
Приюты для бездомных нищих в Лондоне |
1135 | 159 |
8 |
14 |
9 |
15 |
14 |
5 |
16 |
19 |
17 |
16 |
12 |
14 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
Моцарт |
980 | 158 |
16 |
18 |
6 |
12 |
15 |
6 |
14 |
14 |
19 |
14 |
13 |
11 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Письма к Н. А. и А. И. Герценым |
350 | 158 |
8 |
13 |
6 |
7 |
10 |
8 |
16 |
14 |
24 |
17 |
17 |
18 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Н. П. Огарев |
1195 | 155 |
7 |
12 |
9 |
9 |
13 |
14 |
11 |
17 |
20 |
17 |
12 |
14 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
Василий Петрович Боткин |
616 | 153 |
9 |
16 |
6 |
14 |
17 |
7 |
17 |
9 |
16 |
18 |
14 |
10 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Письмо В. П. Боткина к брату Николаю |
5223 | 151 |
7 |
12 |
6 |
15 |
11 |
8 |
12 |
16 |
20 |
15 |
15 |
14 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Литература и театр в Англии до Шекспира |
5693 | 148 |
9 |
13 |
7 |
16 |
11 |
9 |
8 |
16 |
21 |
16 |
10 |
12 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Книга Гануша о Славянской Мифологии |
964 | 147 |
9 |
17 |
5 |
13 |
13 |
5 |
10 |
17 |
18 |
16 |
10 |
14 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Похоронная песня Иакинфа Маглановича |
1027 | 146 |
7 |
13 |
9 |
16 |
14 |
7 |
11 |
15 |
17 |
14 |
12 |
11 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
Из писем В. П. Боткина |
4812 | 145 |
7 |
14 |
5 |
11 |
10 |
7 |
13 |
12 |
24 |
14 |
12 |
16 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Генрих VI |
949 | 145 |
6 |
11 |
8 |
9 |
11 |
7 |
9 |
16 |
20 |
17 |
17 |
14 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Первые драматические опыты Шекспира |
906 | 144 |
7 |
11 |
4 |
14 |
12 |
4 |
15 |
17 |
17 |
18 |
15 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Музыкальные заметки 1838 года |
993 | 144 |
9 |
12 |
6 |
12 |
9 |
8 |
10 |
17 |
15 |
17 |
18 |
11 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
О Т. Карлейле |
1205 | 142 |
8 |
13 |
6 |
12 |
13 |
7 |
11 |
19 |
15 |
14 |
12 |
12 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Выставка Императорской Санкт-Петербургской академии художеств в 1842 году |
994 | 141 |
6 |
13 |
4 |
13 |
16 |
9 |
9 |
13 |
17 |
18 |
11 |
12 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
Об эстетическом значении новой фортепьянной школы |
970 | 141 |
7 |
12 |
3 |
12 |
14 |
8 |
9 |
14 |
20 |
18 |
12 |
12 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Выставка картин в Московском архитектурном училище в 1840 году |
965 | 140 |
8 |
11 |
4 |
10 |
10 |
5 |
12 |
18 |
23 |
15 |
12 |
12 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |