| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
По разделу |
48339 | 957 |
47 |
105 |
84 |
76 |
87 |
72 |
70 |
81 |
79 |
77 |
103 |
76 |
0 |
2 |
4 |
2 |
2 |
4 |
3 |
4 |
4 |
2 |
4 |
3 |
2 |
4 |
4 |
3 |
2 |
3 |
2 |
4 |
3 |
6 |
6 |
3 |
4 |
4 |
2 |
6 |
4 |
4 |
5 |
3 |
5 |
4 |
3 |
1 |
3 |
2 |
3 |
4 |
3 |
3 |
2 |
3 |
3 |
2 |
3 |
3 |
3 |
2 |
3 |
3 |
3 |
3 |
2 |
4 |
3 |
4 |
3 |
2 |
4 |
2 |
|
Творчество Чехова |
2388 | 430 |
28 |
74 |
22 |
22 |
31 |
20 |
34 |
41 |
38 |
40 |
41 |
39 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
4 |
2 |
2 |
1 |
3 |
1 |
4 |
4 |
0 |
1 |
2 |
2 |
2 |
3 |
6 |
6 |
2 |
4 |
4 |
2 |
6 |
4 |
4 |
5 |
1 |
5 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
|
Бунин и его место в русской литературе |
1965 | 422 |
8 |
50 |
51 |
34 |
41 |
36 |
34 |
49 |
40 |
22 |
27 |
30 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
5 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
2 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
4 |
0 |
|
Георгий Иванов. Отплытие на остров Цитеру |
1691 | 346 |
17 |
33 |
38 |
28 |
28 |
29 |
27 |
31 |
25 |
27 |
32 |
31 |
0 |
2 |
4 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
1 |
1 |
0 |
|
Заметки о Толстом |
1760 | 254 |
12 |
30 |
16 |
19 |
27 |
20 |
17 |
20 |
22 |
19 |
27 |
25 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
4 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
|
Проблема жизни и смерти в творчестве Толстого |
1592 | 254 |
9 |
23 |
18 |
10 |
25 |
25 |
18 |
13 |
26 |
24 |
30 |
33 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Почему Достоевский не написал "Жития великого грешника" |
1871 | 242 |
15 |
21 |
15 |
31 |
38 |
16 |
19 |
14 |
15 |
20 |
17 |
21 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Трагедия русской культуры |
1560 | 237 |
10 |
19 |
13 |
12 |
13 |
16 |
9 |
26 |
22 |
21 |
61 |
15 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Проблема человека у Гоголя |
1571 | 226 |
8 |
32 |
16 |
14 |
16 |
15 |
12 |
19 |
21 |
24 |
23 |
26 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
2 |
2 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
|
Возрождение аллегории |
1528 | 225 |
8 |
21 |
12 |
15 |
30 |
18 |
10 |
20 |
30 |
24 |
21 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Пушкин и Вяземский |
1367 | 207 |
5 |
29 |
31 |
10 |
15 |
23 |
13 |
27 |
14 |
16 |
9 |
15 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
|
Пушкин и проблема чистой поэзии |
1738 | 202 |
5 |
30 |
15 |
22 |
17 |
12 |
10 |
13 |
27 |
16 |
18 |
17 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Петр Михайлович Бицилли |
1112 | 195 |
5 |
14 |
15 |
19 |
17 |
26 |
15 |
14 |
17 |
25 |
14 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
|
Ив. Бунин. Тень птицы |
1315 | 194 |
6 |
31 |
9 |
26 |
16 |
15 |
15 |
8 |
13 |
14 |
23 |
18 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Ив. Бунин. Божье древо |
1172 | 191 |
7 |
22 |
9 |
19 |
25 |
9 |
12 |
15 |
10 |
20 |
24 |
19 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Достоевский и современная культура |
1416 | 185 |
7 |
13 |
14 |
10 |
25 |
20 |
17 |
9 |
14 |
16 |
21 |
19 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Иван Бунин. Освобождение Толстого |
1548 | 182 |
7 |
23 |
8 |
14 |
13 |
15 |
15 |
12 |
18 |
14 |
25 |
18 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
"Восток" и "Запад" в истории Старого света |
575 | 180 |
6 |
24 |
19 |
12 |
20 |
16 |
10 |
6 |
18 |
24 |
12 |
13 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Андрей Белый. Ритм как диалектика. Москва, 1929 |
1114 | 174 |
8 |
16 |
14 |
11 |
18 |
15 |
12 |
14 |
15 |
12 |
15 |
24 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Краткая история Адама и Евы |
1007 | 165 |
4 |
18 |
15 |
9 |
18 |
16 |
13 |
14 |
17 |
15 |
11 |
15 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
Зощенко и Гоголь |
1378 | 163 |
8 |
12 |
13 |
12 |
19 |
12 |
9 |
14 |
17 |
15 |
11 |
21 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Собрание сочинений И. А. Бунина. Т. IV |
791 | 163 |
7 |
22 |
7 |
15 |
12 |
15 |
9 |
13 |
10 |
13 |
21 |
19 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Образ совершенства |
987 | 160 |
6 |
12 |
13 |
17 |
13 |
16 |
7 |
15 |
12 |
13 |
14 |
22 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Чехов |
1355 | 156 |
5 |
15 |
13 |
9 |
16 |
13 |
11 |
10 |
16 |
16 |
15 |
17 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Бор. Зайцев. Жизнь Тургенева. Париж, 1932 |
1148 | 152 |
6 |
17 |
16 |
12 |
18 |
18 |
8 |
9 |
7 |
15 |
14 |
12 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
Г. П. Федотов. Святой Филипп, Митрополит Московский |
913 | 148 |
11 |
21 |
16 |
8 |
16 |
14 |
8 |
5 |
11 |
10 |
13 |
15 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Несколько замечаний о современной зарубежной литературе |
953 | 146 |
9 |
12 |
9 |
8 |
11 |
11 |
10 |
11 |
10 |
12 |
31 |
12 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Католичество и Римская Церковь |
1003 | 138 |
4 |
13 |
12 |
8 |
12 |
16 |
12 |
6 |
9 |
16 |
12 |
18 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Державин |
1174 | 137 |
6 |
11 |
12 |
11 |
11 |
18 |
8 |
9 |
11 |
11 |
9 |
20 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Якорь. Антология зарубежной поэзии |
1225 | 136 |
5 |
14 |
13 |
7 |
17 |
11 |
8 |
13 |
11 |
12 |
11 |
14 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
Довид Кнут. Насущная любовь. Париж, 1938 |
886 | 132 |
4 |
11 |
11 |
14 |
17 |
6 |
11 |
6 |
8 |
9 |
20 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Литературные эксперименты. Зощенко |
943 | 131 |
4 |
10 |
15 |
7 |
8 |
10 |
8 |
9 |
13 |
19 |
17 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Венок на гроб романа |
934 | 128 |
4 |
12 |
12 |
11 |
12 |
13 |
9 |
10 |
9 |
13 |
12 |
11 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Жизнь и литература |
905 | 127 |
6 |
13 |
11 |
6 |
14 |
16 |
6 |
7 |
11 |
14 |
11 |
12 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
|
Кризис истории |
996 | 122 |
6 |
11 |
12 |
6 |
12 |
8 |
6 |
11 |
12 |
12 |
15 |
11 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
|
Юрий Иваск. Северный берег. Варшава, 1938 |
893 | 120 |
9 |
8 |
21 |
7 |
12 |
8 |
7 |
7 |
9 |
8 |
9 |
15 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Параллели |
923 | 117 |
6 |
10 |
8 |
6 |
10 |
12 |
8 |
7 |
12 |
16 |
10 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Путь интуиции |
902 | 115 |
2 |
11 |
8 |
5 |
11 |
12 |
5 |
5 |
14 |
14 |
12 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
|
Похвала музыке |
939 | 107 |
3 |
8 |
9 |
6 |
13 |
11 |
4 |
8 |
8 |
14 |
12 |
11 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
|
В. Смоленский. Наедине |
801 | 106 |
2 |
13 |
8 |
7 |
11 |
7 |
3 |
11 |
11 |
10 |
11 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |